DOZO – [WHOKILLEDXIX]
I remember when hyperpop first became a thing, people had a hard time grasping it for all of its uniqueness and creativity because it was just so wild, energetic, diverse, and different. These were the things I enjoyed about the subgenre, though, because it was literally not anything like anything I was bumping at the time, and it opened my mind up once again to an entirely new world of sounds, artists, and innovation. I don’t think the mainstream was or is currently ready for it, and I honestly don’t know if it ever will be, but I guess time will tell. I only say all of this because WHOKILLEEDXIX seems to be the new hyperpop of the hyperpop world, if that makes any sense. They just make some of the wildest, obscure, and unique styles in the entire genre, and although this is what I love about their music, it just seems like it’s going to take some time before the average hyperpop fan can firmly grasp exactly what kind of artistry they’re bringing to the table. Nonetheless, they’re constantly amassing fans and seeing numbers on songs skyrocket into the millions within days, so I don’t think any sort …